Year: 1972
Duration: 1:25:08
Directed by: Renato Polselli
Actors: Sergio Ammirata, Marie-Paule Bastin, Marcello Bonini Olas
Language: Italian
Country: Italy
Also known as: De waarheid volgens Satan, The Truth According to Satan, Das Lusthaus teuflischer Begierden
Description:
The script of this psychedelic Thriller Renato Polselli wrote not otherwise than under the influence of psychotropic drugs. And watch it, I have also using something similar. But since today is no longer a hippie thing, and the law of the use of various “extenders” of consciousness, in contrast to different gurus a la Castaneda, absolutely do not approve, will have to do on their own and given the nature of the brain. Which in this case often refuses to understand the logic and the reasons of acts of heroes of the film, forcing him to frantically rummage through old music, getting out, well, for example the group COVEN, fortunately, she recently released a retrospective album for its 40th anniversary. UV-f-R, after that everything seems in its place to become. Moreover, that they, too, Satan is kind of like the first guy in the village. Though if to understand, at what here generally Satan?
As any film Ralph brown (under the pseudonym of Polselli made films in the 70s) “the Truth by Satan” (its working title was “the gospel according to Satan”) is full of many Freudian allusions, sexual perversion and the morbid perception of the world. At the beginning of the film the audience is left alone with a mentally unstable character named Robert who feels that it threw the entire world and one particular mistress, he desperately calls the latter to immediately arrive, begging and threatening her, and the meanwhile up to a game of Russian roulette, then trying to hang myself, slit my wrist — in General, having fun. When his girlfriend (not simple, and a Duchess by the name of Diana), finally arrives, he rushes at her, threatened with a knife, arranges real sadistic torture, and then thrust the knife in the heart…
Diana in horror trying to get rid of the corpse, but at this point, the house breaks another character — the jester and the trickster, who is grimacing and fooling around begins to blackmail the Duchess. The body hidden in the trunk, and Diana is left alone with someone who is similar to both a clown and a maniac… But not in a sacramental maniac clown from American cinema, but for something completely different, but no less and perhaps more terrible… And it’s terrible, in the face of Tortolita lives in the same house with Diana. In the house belonging to the dead man, who, incidentally, was burning a hole in his chest, and he is constantly in front of the girl on the kitchen table, in the bathroom, in the bedroom. And her new tormentor meanwhile satisfied with the house party will smoothly turn into an Orgy…
Why? Why? These issues little by little, hang in the air, and though the answer to them Renato Polselli eventually gives (although, what gives — as throws the dog a bone), it seems that they are not interesting neither the author nor the characters nor the audience. All sinks in the atmosphere of total madness. The world seemed to have shifted, and now instead of him before the eyes of the heroine (and through them the audience) hanging picture similar to Boskovski hell, where now we have to live. Well, what the hell this has perversely-sexual traits, so it is a hell where there to take on love and high feelings. In the world of Polselli there is nothing but mud, pain, gnashing of teeth and hellish laughter. This is the “True Satan”, distorted and ugly — and if you believe in it, don’t say afterwards that you weren’t warned.
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https://tusfiles.net/loskgm8o41ai